{"title":"Performing Art","description":"\u003cp\u003eAbout Dance, Music, Cinema art art performing \u003c\/p\u003e","products":[{"product_id":"vanishing-temple-arts-temples-of-kerala-and-kanyaakumaari-district","title":"Vanishing Temple Arts (Temples of Kerala and Kanyaakumaari District)","description":"\u003cp\u003e\u003cstrong\u003eDetails \u003c\/strong\u003e: \u003c\/p\u003e\n\u003cp\u003eAuthor : Deepti Bhalla\u003cbr\u003ePublisher ‏ : ‎ Shubhi Publications \u003cbr\u003ePublication Date : 30 September 2006\u003cbr\u003eLanguage ‏ : ‎ English\u003cbr\u003eHardcover ‏ : ‎ 140 pages\u003cbr\u003eISBN-10 ‏ : ‎ 8182900786\u003cbr\u003eISBN-13 ‏ : ‎ 978-8182900783\u003cbr\u003eItem Weight ‏ : ‎ 1150 g \u003cbr\u003eDimensions ‏ : ‎ 29 x 22.5 x 2  cm \u003c\/p\u003e","brand":"Shubhi Publications","offers":[{"title":"Default Title","offer_id":47579909980458,"sku":"HINDU-00685","price":54.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0693\/1218\/4618\/products\/vanishing_temple_arts_temples_of_kerala_kanyaakumaari_ihj097.webp?v=1708692555"},{"product_id":"bhojpuri-samskar-geet-a-rare-book","title":"भोजपुरी संस्कार गीत: Bhojpuri Samskar Geet - 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Discourses by Swami Akhandananda Saraswati","description":"\u003ch3\u003eDescription -\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd\u003eHindi\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eEdition:\u003c\/td\u003e\n\u003ctd\u003e2021\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003ePages:\u003c\/td\u003e\n\u003ctd\u003e378\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eCover:\u003c\/td\u003e\n\u003ctd\u003ePaperback\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eOther Details\u003c\/td\u003e\n\u003ctd rel=\"product-dimensions\"\u003e21.5 cm X 14 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eWeight\u003c\/td\u003e\n\u003ctd rel=\"product-weight\"\u003e440 gm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Crazyshelfindia","offers":[{"title":"Default Title","offer_id":47611487650090,"sku":"HINDU-12292","price":26.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0693\/1218\/4618\/products\/haa404.webp?v=1709119454"},{"product_id":"sandhya-geet","title":"सांध्यगीत: Sandhya Geet","description":"\u003cp\u003eSandhya Geet By (Mahadevi Verma)\u003c\/p\u003e\n\u003cp class=\"selectable-text copyable-text x15bjb6t x1n2onr6\" dir=\"ltr\"\u003e\u003cspan class=\"selectable-text copyable-text false\"\u003e Publisher: Lokbharti Prakashan\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"selectable-text copyable-text x15bjb6t x1n2onr6\" dir=\"ltr\"\u003e\u003cspan class=\"selectable-text copyable-text false\"\u003eLanguage: Hindi\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"selectable-text copyable-text x15bjb6t x1n2onr6\" dir=\"ltr\"\u003e\u003cspan class=\"selectable-text copyable-text false\"\u003eEdition: 2017\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"selectable-text copyable-text x15bjb6t x1n2onr6\" dir=\"ltr\"\u003e\u003cspan class=\"selectable-text copyable-text false\"\u003eISBN: \u003c\/span\u003e\u003cspan class=\"selectable-text copyable-text false\"\u003e9788180313035\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"selectable-text copyable-text x15bjb6t x1n2onr6\" dir=\"ltr\"\u003e\u003cspan class=\"selectable-text copyable-text false\"\u003ePages: 80\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"selectable-text copyable-text x15bjb6t x1n2onr6\" dir=\"ltr\"\u003e\u003cspan class=\"selectable-text copyable-text false\"\u003eCover: Paperback\u003c\/span\u003e\u003c\/p\u003e","brand":"Crazyshelfindia","offers":[{"title":"Default Title","offer_id":47611515502890,"sku":"HINDU-12837","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0693\/1218\/4618\/products\/nza937.webp?v=1709119893"},{"product_id":"carnatic-music-reader-in-western-staff-notation-a-primer-for-guitar-piano-keyborad-saxophone-violin-set-of-7-volumes","title":"Carnatic Music Reader In Western Staff Notation (A Primer For Guitar, Piano, Keyborad, Saxophone, Violin) (Set of 7 Volumes)","description":"\u003cp\u003e\u003cstrong\u003eDETAILS : \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePublisher : CBH Publications\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eAuthor : V. K. Krishna Prasad\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eLanguage : English\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003ePages : 932\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCover : Paperback\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eWeight : 1300  g \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eEdition : 2015\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eISBN : Vol I 9185381909,Vol II 8185381917,Vol III 8185381925,Vol IV 8185981933,Vol V 8185381941,Vol VI 818538195X,Vol VII8185381968\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eABOUT THE BOOK \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Carnatic Music Reader Series introduces a systematic study of Carnatic Music with the help of Western Staff Notation. The series has been designed with the beginner student in mind so that the he can learn to play the lessons on western instruments like guitar, piano, saxophone, violin etc. With little effort.\u003c\/p\u003e\n\u003cp\u003eThe first part of the series starts with a quick course on Western staff Notation and proceeds with the fundamental sequences of exercise in Carnatic Music for beginners.\u003c\/p\u003e\n\u003cp\u003eAll the exercises are graphically presented in Western Staff Notation, letter Notation and also the conventional Carnatic Letter Notation. All the fundamental sequences Sarali Varisai, Janta Varisai, Dhattu Varisai, sthayi Varisai, Alankaram, Geetham, Lakshana Geetham, Jathiswaram and Swarajathi are covered in the first series.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePREFACE \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(96, 76, 76);\"\u003e\u003cstrong\u003e(Volume-1)\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003eLakhs of compositions - Thousands of Ragas - Hundreds of exercises - that is our Carnatic Music which is very rich in its resources. Carnatic Music is one of oldest form of the Classical Music Systems in the world. Over the centuries, it has been developed as the finest art form by the great masters of Carnatic Music. Though all the works have been documented and there are many books that cover the various aspects of Carnatic Music, most of them are in \"Letter or Script Notation System.\"\u003c\/p\u003e\n\u003cp\u003eIndian Carnatic Music in a recognizable universal format will make our Music works comprehensible by a large majority of Western and Indian Musicians who are familiar with Staff Notation System only The primary motivation in writing this book was to put together the basic exercises in the universal Western Staff Notation System which is a great tool for disseminating Musical information.\u003c\/p\u003e\n\u003cp\u003eWestern Staff Notation System is easy to learn, more graphical and gives a complete picture of the Music Score.\u003c\/p\u003e\n\u003cp\u003eThanks to Shri. M Easwaran of CBB Publications in showing interest in this project and publishing this Series.\u003c\/p\u003e\n\u003cp\u003eI would like to thank to my family members and all friends who had been very appreciative of this endeavour.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(97, 79, 79);\"\u003e\u003cstrong\u003e(Volume-2)\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003eThe primary motivation in writing the Carnatic Music Reader series. was to put together the Basic Exercises, Varnams and Krithis in the universal Western Staff Notation System which is a great tool for disseminating Musical information.\u003c\/p\u003e\n\u003cp\u003eIndian Carnatic Music in a recognizable universal format will III I make our Music works comprehensible by a large majority of Western and Indian Musicians who are familiar with Staff Notation System only Western Staff Notation System is easy to learn, more graphical and gives a complete picture of the Music Score.\u003c\/p\u003e\n\u003cp\u003eThe first book covered the basic exercises of Carnatic Music for beginners. This book, the second in the series covers some of the Adi Thala Varnams.\u003c\/p\u003e\n\u003cp\u003eThe lessons will be continued in same pattern for more Varnams and Krithis in the future volumes.\u003c\/p\u003e\n\u003cp\u003eI have to thank Shri. M Easwaran for his encouragement in completing this task and Smt. Girija, Proprietor, CBH Publications in showing interest in this project and publishing this Series.\u003c\/p\u003e\n\u003cp\u003eI would like to thank to my family members and all friends who had been very appreciative of this endeavour.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(97, 80, 80);\"\u003e\u003cstrong\u003e(Volume-3)\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003eThe Carnatic Music Reader Series presents the basic Exercises, Vamams and Krithis of Carnatic Music in the universal Western Staff Notation System. The First volume of the, series covered the basic Exercises for beginners. The Second volume covered some of the Adi Thala Varnams. This book, the third in the series covers more Adi Thala Varnams. Few Pada Varnams are also covered in this volume.\u003c\/p\u003e\n\u003cp\u003eThe lessons will be continued in the same pattern for more Vamams and Krithis in the future volumes.\u003c\/p\u003e\n\u003cp\u003eWestern Staff Notation System is easy to learn, more graphical and gives a complete picture of the Music Score. Those who are new to the Staff Notation System are requested to refer the initial volumes of the series where a brief and systematic introduction for the Western Staff Notation System is provided.\u003c\/p\u003e\n\u003cp\u003eI have to thank Shri. M Easwaran for his continued encouragement in completing this task and Smt. Girija, Proprietor, CBH Publications in showing interest in this project and publishing this Series.\u003c\/p\u003e\n\u003cp\u003eI would like to thank to my family members and all friends who had been very appreciative of this endeavour.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(96, 80, 80);\"\u003e\u003cstrong\u003e(Volume-4)\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003eThe Carnatic Music Reader Series presents the basic Exercises, Varnams and Krithis of Carnatic Music in the universal Western Staff Notation System. The First volume of the series covered the basic Exercises for beginners. The Second and Third volume covered the Adi Thala Varnams. This book, the Fourth in the series covers Ata Thala Varnams.\u003c\/p\u003e\n\u003cp\u003eWestern Staff Notation System is easy to learn, more graphical and gives a complete picture of the Music Score. Those who are new to the Staff Notation System are requested to refer the initial volumes of the series where a brief and systematic introduction for the Western Staff Notation System is provided.\u003c\/p\u003e\n\u003cp\u003eI have to thank Shri. M Easwaran for his continued encouragement in completing this task and Smt. Girija, Proprietor, CBB Publications in showing interest in this project and publishing this Series.\u003c\/p\u003e\n\u003cp\u003eI would like to thank to my family members and all friends who had been very appreciative of this endeavour.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(92, 76, 76);\"\u003e\u003cstrong\u003e(Volume-5)\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003eThe Carnatic Music Reader Series presents the basic Exercises, Varnams and Krithis of Carnatic Music in the universal Western Staff Notation System. The First volume of the series covered the basic Exercises for beginners. The Second, Third and Fourth volumes covered the Adi Thala and Ata Thala Varnams. Krithis were started in the Fifth Volume.\u003c\/p\u003e\n\u003cp\u003eThis book, the Sixth in the series covers more Krithis. Same pattern will be continued in future volumes of the series to cover more Krithis.\u003c\/p\u003e\n\u003cp\u003eWestern Staff Notation System is easy to learn, more graphical and gives a complete picture of the Music Score. For those who are new to the Staff Notation System, a brief and a systematic introduction for the Western Staff Notation System is provided.\u003c\/p\u003e\n\u003cp\u003eI have to thank Shri. M Easwaran for his continued encouragement in completing this task and Smt. Girija, Proprietor, CBH Publications in showing interest in this project and publishing this Series.\u003c\/p\u003e\n\u003cp\u003eI would like to thank to my family members and all friends who had been very appreciative of this endeavour.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(96, 77, 77);\"\u003e\u003cstrong\u003e(Volume-6)\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003eThe Carnatic Music Reader Series presents the basic Exercises, Varnams and Krithis of Carnatic Music in the universal Western Staff Notation System. The First volume of the series covered the basic Exercises for beginners. The Second, Third and Fourth volumes covered the Adi Thala and Ata Thala Varnams. Krithis were started in the Fifth Volume.\u003c\/p\u003e\n\u003cp\u003eThis book, the Sixth in the series covers more Krithis. Same pattern will be continued in future volumes of the series to cover more Krithis.\u003c\/p\u003e\n\u003cp\u003eWestern Staff Notation System is easy to learn, more graphical and gives a complete picture of the Music Score. For those who are new to the Staff Notation System, a brief and a systematic introduction for the Western Staff Notation System is provided.\u003c\/p\u003e\n\u003cp\u003eI have to thank Shri. M Easwaran for his continued encouragement in completing this task and Smt. Girija, Proprietor, CBH Publications in showing interest in this project and publishing this Series.\u003c\/p\u003e\n\u003cp\u003eI would like to thank to my family members and all friends who had been very appreciative of this endeavour.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(88, 72, 72);\"\u003e\u003cstrong\u003e(Volume-7)\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003eThe Carnatic Music Reader Series presents the basic Exercises, Vamams and Krithis of Carnatic Music in the universal Western Staff Notation System. The First volume of the series covered the basic Exercises for beginners. The Second, Third and Fourth volumes covered the Adi Thala and Ata Thala Varnams.\u003c\/p\u003e\n\u003cp\u003eFifth and Sixth volumes covered the Krithis. This book, the Seventh in the series covers more Krithis of various composers.\u003c\/p\u003e\n\u003cp\u003eWestern Staff Notation System is easy to learn, more graphical and gives a complete picture of the Music Score. For those who are new to the Staff Notation System, a brief and a systematic introduction for the Western Staff Notation System is provided in the initial volumes.\u003c\/p\u003e\n\u003cp\u003eI have to thank Shri. M Easwaran for his continued encouragement in completing this task and Smt. Girija, Proprietor, CBH Publications in showing interest in this project and publishing this Series.\u003c\/p\u003e\n\u003cp\u003eI would like to thank to my family members and all friends who had been very appreciative of this endeavour.\u003c\/p\u003e","brand":"CBH Publications","offers":[{"title":"Default Title","offer_id":48515047784746,"sku":"VASY-B00KXA7712","price":89.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0693\/1218\/4618\/files\/nag721.webp?v=1716468205"},{"product_id":"natyasastra-of-bharatamuni-with-the-commentary-abhinava-bharati-of-abhinava-gupta-set-of-4-volumes","title":"Natyasastra of Bharatamuni- With the Commentary Abhinava Bharati of Abhinava Gupta (Set of 4 Volumes)","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDETAILS: \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAuthor :  Dr. Parasnath Dwivedi\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003ePublisher ‏ : ‎ Sampurnanand Sanskrit University\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003ePublication date ‏ : ‎ April 1, 2015\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eEdition ‏ : ‎ 2015th\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eLanguage ‏ : ‎ Hindi\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eISBN-10 ‏ : ‎ 8172700407\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eISBN-13 ‏ : ‎ 978-8172700409\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eWeight : 5800 g \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eABOUT THE BOOK\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"1\" data-index-in-node=\"0\"\u003eनाट्यशास्त्रम् (Natyasastra) of Mahamuni Bharata\u003c\/b\u003e, meticulously edited and translated by the eminent traditional scholar \u003cb data-path-to-node=\"1\" data-index-in-node=\"120\"\u003eDr. Parasnath Dwivedi\u003c\/b\u003e, stands as a monumental achievement in contemporary Indology. Published by the prestigious \u003cb data-path-to-node=\"1\" data-index-in-node=\"233\"\u003eChowkhamba Krishnadas Academy (Varanasi)\u003c\/b\u003e, this definitive \u003cb data-path-to-node=\"1\" data-index-in-node=\"291\"\u003efour-volume text-critical masterwork\u003c\/b\u003e represents the only complete edition featuring a fully translated Hindi exposition of the highly complex \u003cb data-path-to-node=\"1\" data-index-in-node=\"433\"\u003eAbhinava Bharati (अभिनवभारती)\u003c\/b\u003e—the legendary 10th-century Kashmiri commentary composed by the genius polymath \u003cb data-path-to-node=\"1\" data-index-in-node=\"542\"\u003eAcharya Abhinavagupta\u003c\/b\u003e. The core philosophy of this text centers on \u003cb data-path-to-node=\"1\" data-index-in-node=\"609\"\u003eaesthetic transcendence through the structural unity of performance (\u003ci data-path-to-node=\"1\" data-index-in-node=\"678\"\u003eRasa-Nishpatti\u003c\/i\u003e)\u003c\/b\u003e—establishing that drama, music, dance, and poetry together constitute a \"Fifth Veda\" designed to elevate human consciousness to a state of pure, spiritual joy (\u003ci data-path-to-node=\"1\" data-index-in-node=\"854\"\u003eAnanda\u003c\/i\u003e).\u003c\/p\u003e\n\u003cp data-path-to-node=\"2\"\u003eWritten in an uncompromising, highly technical academic register, this edition solves a massive historical challenge for scholars of art theory. While Bharata’s original 36 chapters (\u003ci data-path-to-node=\"2\" data-index-in-node=\"183\"\u003eAdhyayas\u003c\/i\u003e) provide the practical architectural layout, stage measurements, and performance rules, it is Abhinavagupta’s \u003ci data-path-to-node=\"2\" data-index-in-node=\"302\"\u003eAbhinava Bharati\u003c\/i\u003e that infuses the text with profound philosophical depth. He applies the non-dual metaphysics of Kashmir Shaivism to aesthetics, arguing that when a spectator experiences a performance, their individual ego temporarily dissolves, allowing them to taste the universalized flavor of emotion (\u003ci data-path-to-node=\"2\" data-index-in-node=\"608\"\u003eRasa\u003c\/i\u003e), which is nothing less than a twin brother to spiritual enlightenment (\u003ci data-path-to-node=\"2\" data-index-in-node=\"685\"\u003eBrahmananda-Sahodara\u003c\/i\u003e).\u003c\/p\u003e\n\u003cp data-path-to-node=\"2\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eABOUT THE AUTHOR\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"12\"\u003eDr. Parasnath Dwivedi is widely recognized as one of Varanasi's elite classical scholars, celebrated for his mastery over traditional aesthetics, Sanskrit grammar, and Kashmir Shaivism. His work in translating the \u003ci data-path-to-node=\"12\" data-index-in-node=\"214\"\u003eAbhinava Bharati\u003c\/i\u003e is a historic milestone; prior to this edition, Abhinavagupta’s dense, highly compact Sanskrit prose was considered nearly impenetrable to all but a few specialized scholars.\u003c\/p\u003e\n\u003cp data-path-to-node=\"13\"\u003eThe layout of these volumes is designed for advanced academic research. Each page displays the original \u003ci data-path-to-node=\"13\" data-index-in-node=\"104\"\u003eNatyasastra\u003c\/i\u003e verse in bold Devanagari script, followed by the authentic Sanskrit text of the \u003ci data-path-to-node=\"13\" data-index-in-node=\"196\"\u003eAbhinava Bharati\u003c\/i\u003e. Directly beneath this, Dr. Dwivedi provides his precise, fluent translation alongside modern critical annotations that explain obscure technical terms. This continuous layout makes the set a vital asset for university theater departments, performing arts academies, and manuscript research libraries worldwide.\u003c\/p\u003e","brand":"Sampurnanand Sanskrit University","offers":[{"title":"Default Title","offer_id":48515678273834,"sku":"VASY-8172700407","price":193.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0693\/1218\/4618\/files\/51je9jefWFL.jpg?v=1784007398"},{"product_id":"bharatanatyam-evolves-from-temple-to-theatre-and-back-again","title":"Bharatanatyam Evolves From Temple to Theatre and Back Again","description":"\u003cdiv\u003e\u003cstrong\u003eDETAILS : \u003c\/strong\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eAuthor : Anne-Marie Gaston\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePublisher ‏ : ‎ Manohar Publishers \u0026amp; Distributors \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePublication Date :1 January 2018\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLanguage ‏ : ‎ English\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eISBN-10 ‏ : ‎ 8193560973\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eISBN-13 ‏ : ‎ 9788193560976\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eItem Weight ‏ : ‎ 1200 g \u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eABOUT THE BOOK \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBharatanatyam is currently one of the most popular Indian classical dance styles, performed throughout India and the world. It originated in southern India, where it was taught by males and performed by female Devadasis, both of whom belonged to the same caste. Traditionally, the dance was associated with Hindu temples and courts and was performed in a variety of sacred and secular settings. Since the early twentieth century, both practitioners of and venues for the dance have expanded. It is now taught and performed globally by people from all castes and nationalities, including teachers and dancers of all genders and religions. Most performances are now public events presented on the concert stage. Anne-Marie Gaston, traces the development of Bharatanatyam from its religious and secular roots. She gives details of the teachers who were most influential in the transmission of the dance from traditional to modern practitioners and discusses the role of different interpretations (banis). By describing traditional and modern performances and choreography, she traces changes in the repertoire and presentation that have taken place during the post-revival era. Trends in performances at the MMA, considered the most important venue for Bharatanatyam, are described. Comments from the author’s in-depth studies of Bharatanatyam, as both performer and academic, give a historical perspective to the current manifestation of the dance. Her observations are drawn especially from recitals at the Madras Winter Festivals, 211-15. The volume is profusely illustrated with the author’s own photographs.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eABOUT THE AUTHOR \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eAnne-Marie Gaston, also known as Swami Amritananda Devi, was a renowned scholar and practitioner of Indian classical dance. Born in 1941, Gaston studied various dance forms, including Bharatanatyam, Odissi, and Kuchipudi. She earned her M.Litt. and D.Phil. from Oxford University and taught at universities worldwide. Gaston's work as a performer, teacher, and scholar has contributed significantly to the global understanding and appreciation of Indian classical dance. Her book on Bharatanatyam is a testament to her expertise and dedication to the field.\u003c\/span\u003e\u003c\/div\u003e","brand":"Manohar Publishers And Distributors","offers":[{"title":"Default Title","offer_id":48516615799082,"sku":"HINDU-8193560973","price":54.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0693\/1218\/4618\/files\/nar456.webp?v=1716476156"},{"product_id":"gulzars-angoor","title":"Gulzar's Angoor","description":"\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDETAILS: \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePublisher: Harper Collins Publishers\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eAuthor Sathya Saran\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eLanguage: English\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003ePages: 120\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCover: PAPERBACK\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eWeight 100 gm\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eEdition: 2019\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eISBN: 9789353025120\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eBACK OF THE BOOK\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThrough extensive interviews with some of the main actors from this movie (Deepti Naval and Moushumi Chatterjee) and its earlier version - both adaptations of Shakespeare's Comedy of Errors - this book traces the evolution of a comic tale that continues to amuse audiences of all ages. It deftly peels the layers to explore how song, dialogue, silences and wordplay add to the actors' arsenal in creating humor that can range from rib-tickling mirth to guffaws.\u003c\/p\u003e\n\u003cp\u003eSathya Saran's book reveals what lies behind the evergreen appeal of Angoor, with memories and anecdotes shared by Gulzar himself.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eABOUT THE AUTHOR\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSATHYA SARAN is the author of critically acclaimed and bestselling biographies of Guru Dutt, S.D. Burman and Jag* Singh. Her most recent publications are How to Look like Miss India (Juggernaut, 2018), and Knot for Keeps: Writing the Modern Marriage (HarperCollins India, 2018), an anthology on marriage. Sathya, who was editor of the first women's magazine of India, Femina, for twelve years, is currently a Consulting Editor with HarperCollins Publishers India and teaches fashion journalism at the National Institute of Fashion Technology (NIFT). She also conceptualized and curates 'The Spaces between Words: The Unfestival' sponsored by JSW and The Hindu.\u003c\/p\u003e\n\u003cp\u003eAmong her many accolades are several national awards, the Roshni TIA Inspirational Woman Award 2018, the Bharat Nirman (1996), the Young Journalist Award (1994), and the Mahila Shiromani Award, presented by the First Lady of India, for her contribution to journalism.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003ePREFACE \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAsk me to choose between a comedy and a tragedy, and I will go straight for the latter. Tragedies are thought-provoking; they delve into human nature, the failings and foibles of great and small people. Tragedies show us our weaknesses and warn us of the pitfalls that await even those who have achieved greatness. Comedies, on the other hand, make us laugh; sweep us into a long moment of forgetfulness, delivering an opiate for the senses from the travails of daily living. And when they are done, the reality is twice as hard. Tragedies, on the other hand, make you realize that indeed all the world is a stage, and your problems are small compared to what befell those on screen or stage. They also give you insights into how relationships develop, change, turn sour, and ... oh come on, tragedies teach a lot. Comedies, well, as I said before, they just make you laugh.\u003c\/p\u003e\n\u003cp\u003eWhich is why when, of the three books chosen to present Gulzar's cinema, I was presented with Angoor, I baulked a little. I was thrilled to be working on a book on Gulzar's film, being one among his legion of fans, but Angoor. hmm. I had watched the film, it was funny, I remembered. But really, I would have preferred Ijaazat. So nuanced a film, such a compelling story, such music, and then there was the visual poetry that added to the actors' craft. Yes, if given a choice, Ijaazat it would have been.\u003c\/p\u003e\n\u003cp\u003eBut the die had been cast, and Angoor it was. I took the assignment and carried it off like a prize, a consolation prize, but still, one I was happy to have been awarded.\u003c\/p\u003e\n\u003cp\u003eWatching the film at home, I realized that what I thought was gilt was indeed gold. Here was comedy that was not just a series of funny moments strung together. Here was one master artist working on the material created by the master of all craftsmen, Shakespeare, and making it all his own. When the film ended, I sat back, leaned forward and started it all over again, realizing by now, that there were so many layers in the film that needed attention. Suddenly, comedy held a new meaning. I took a deep breath and prepared to take the full measure of what I had on hand.\u003c\/p\u003e\n\u003cp\u003eEverything about Angoor is worth paying attention to. Almost every gesture, every line of dialogue or song has a reason for being. It is tightly knit, unlike most comedies, except for a few exceptions, which, in my mind primarily include Chalti ka Naam Gaadi,Jaane Bhi Do Yaaro, Chupke, and Gol Maal. Incidentally, the last two are also written by Gulzar.\u003c\/p\u003e\n\u003cp\u003eAngoor kept me quite busy. A major handicap was that Sanjeev Kumar was no longer around, and Deven Verma was too ill to give me audience when I called, and passed away before I could ask again. Moushumi Chatterjee would only speak to me on the phone, and her information was sketchy at best. It remained for Deepti Naval and Gulzar to fill in the main actors' parts too, and give me enough about their approach to their roles. Happily for me, both filled the need most adequately. Besides, insights from director Debu Sen and actress Tanuja helped shed light on the behind-the-scenes action in Do Dooni Char.\u003c\/p\u003e\n\u003cp\u003eShantanu Ray Chaudhuri, who was my editor when I started the book, gave me the idea of also delineating the history of comedy in Hindi cinema to be able to give Angoor a proper setting. That chapter, I think will also help readers understand the highly evolved humor of Angoor, that has the capacity to entertain anyone from eight-year-olds onwards. In fact, at every decade of his life, the viewer will discover new meanings to the lines.\u003c\/p\u003e\n\u003cp\u003eWriting the book has been fun. It took me back to my student days when as a student of literature I had to take apart a book, a play or some piece of writing to understand it, critique it and present it so others would get the most of the original, thanks to my interpretation.\u003c\/p\u003e","brand":"Harpercollins Publishers","offers":[{"title":"Default Title","offer_id":48520186790186,"sku":"SOF-9789353025120","price":30.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0693\/1218\/4618\/files\/angoor.png?v=1784631067"},{"product_id":"miscellaneous-collection-of-folk-song-notation-in-bengali-an-old-and-rare-book","title":"লোকগীতি-স্বরলিপির বিচিত্র সংকলন: Miscellaneous Collection of Folk Song-Notation in Bengali By Buddhadev Ray","description":"\u003cp\u003e\"Miscellaneous Collection of Folk Song-Notation\" by Buddhadev Ray is a rich anthology that captures the essence of Bengali folk music. This collection presents various folk songs along with their notations, making it accessible for musicians and enthusiasts alike. Ray delves into the cultural significance of each song, highlighting the traditions and stories embedded within them. The book serves as both a scholarly resource and a celebration of Bengali heritage, showcasing the diversity and vibrancy of folk music in West Bengal. Through detailed explanations and notations, it invites readers to engage with the melodies and rhythms that define the region's cultural identity.\u003c\/p\u003e","brand":"Crazyshelfindia","offers":[{"title":"Default Title","offer_id":48968935768362,"sku":"FIRMA-100","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0693\/1218\/4618\/files\/hac942.webp?v=1721728527"},{"product_id":"films-for-an-ecology-of-mind-essays-on-realism-in-the-cinema-an-old-and-rare-book","title":"Films for An Ecology of Mind- Essays on Realism in The Cinema (An Old And Rare Book) By Gaston Roberge","description":"\u003cp\u003eBuy Book Online-Films for An Ecology of Mind- Essays on Realism in The Cinema (An Old And Rare Book) By Gaston Roberge\u003c\/p\u003e\n\u003ctable style=\"font-size: 0.875rem;\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003ePUBLISHER:\u003c\/td\u003e\n\u003ctd\u003eFIRMA KLM PRIVATE LIMITED, CALCUTTA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eLANGUAGE:\u003c\/td\u003e\n\u003ctd\u003eENGLISH\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eEDITION:\u003c\/td\u003e\n\u003ctd\u003e1978\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003ePAGES:\u003c\/td\u003e\n\u003ctd\u003e150\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eCOVER:\u003c\/td\u003e\n\u003ctd\u003eHARDCOVER\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eOTHER DETAILS\u003c\/td\u003e\n\u003ctd rel=\"product-dimensions\"\u003e21.5 CM X 14 CM\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"product-details-specifications-label has-text-grey-dark\"\u003eWEIGHT\u003c\/td\u003e\n\u003ctd rel=\"product-weight\"\u003e290 GM\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ccenter\u003e\u003cb\u003eAbout the Book\u003c\/b\u003e\u003c\/center\u003e\n\u003cp\u003eCurrent film theories based on a so-called film realism are only the ideological camouflage of a decadent idealism. In no way can they help Indian cinema to serve the developmental needs of the country. An alternative approach to film, materialist in many ways, can lead to the creation of a new cinemythology with heroes and patterns of life that encourage the spectator to the pursuit of life-oriented goals. This book is committed to the support of such a cinema.\u003c\/p\u003e","brand":"Crazyshelfindia","offers":[{"title":"Default Title","offer_id":48968949825834,"sku":"FIRMA-194","price":25.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0693\/1218\/4618\/files\/hab233.jpg?v=1721728859"},{"product_id":"secrets-of-vedic-music","title":"Secrets of Vedic Music","description":"\u003ccenter\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/center\u003e\u003ccenter\u003e\n\u003ctable style=\"width: 100%; height: 176.344px;\"\u003e\n\u003ctbody\u003e\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\u003ctd class=\"product-details-specifications-label has-text-grey-dark\" style=\"width: 32.8011%; height: 19.5938px;\"\u003eAUTHOR:\u003c\/td\u003e\n\u003ctd style=\"width: 64.2792%; height: 19.5938px;\"\u003eRAMKRISHNA DAS NADRANG\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\u003ctd class=\"product-details-specifications-label has-text-grey-dark\" style=\"width: 32.8011%; height: 19.5938px;\"\u003ePUBLISHER:\u003c\/td\u003e\n\u003ctd style=\"width: 64.2792%; height: 19.5938px;\"\u003eLUMINOUS BOOKS, VARANASI\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\u003ctd class=\"product-details-specifications-label has-text-grey-dark\" style=\"width: 32.8011%; height: 19.5938px;\"\u003eLANGUAGE:\u003c\/td\u003e\n\u003ctd style=\"width: 64.2792%; height: 19.5938px;\"\u003eENGLISH\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\u003ctd class=\"product-details-specifications-label has-text-grey-dark\" style=\"width: 32.8011%; height: 19.5938px;\"\u003eEDITION:\u003c\/td\u003e\n\u003ctd style=\"width: 64.2792%; height: 19.5938px;\"\u003e2024\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\u003ctd class=\"product-details-specifications-label has-text-grey-dark\" style=\"width: 32.8011%; height: 19.5938px;\"\u003eISBN:\u003c\/td\u003e\n\u003ctd style=\"width: 64.2792%; height: 19.5938px;\"\u003e9788119202478\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\u003ctd class=\"product-details-specifications-label has-text-grey-dark\" style=\"width: 32.8011%; height: 19.5938px;\"\u003ePAGES:\u003c\/td\u003e\n\u003ctd style=\"width: 64.2792%; height: 19.5938px;\"\u003e196\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\u003ctd class=\"product-details-specifications-label has-text-grey-dark\" style=\"width: 32.8011%; height: 19.5938px;\"\u003eCOVER:\u003c\/td\u003e\n\u003ctd style=\"width: 64.2792%; height: 19.5938px;\"\u003eHARDCOVER\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\u003ctd class=\"product-details-specifications-label has-text-grey-dark\" style=\"width: 32.8011%; height: 19.5938px;\"\u003eOTHER DETAILS\u003c\/td\u003e\n\u003ctd rel=\"product-dimensions\" style=\"width: 64.2792%; height: 19.5938px;\"\u003e9X6 INCH\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\u003ctd class=\"product-details-specifications-label has-text-grey-dark\" style=\"width: 32.8011%; height: 19.5938px;\"\u003eWEIGHT\u003c\/td\u003e\n\u003ctd rel=\"product-weight\" style=\"width: 64.2792%; height: 19.5938px;\"\u003e388 GM\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/center\u003e\u003ccenter\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/center\u003e\u003ccenter\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/center\u003e\u003ccenter\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/center\u003e\u003ccenter\u003e\u003cb\u003eAbout The Book\u003c\/b\u003e\u003c\/center\u003e\n\u003cp\u003eIn this book of Vedic music, the author has given many QR codes for readers to experience real and practical Vedic music while reading the book. He has explained 3 universal concepts of musical sounds i, e. udatta, anudatta and svarita that appear for the very first time in Vedic music, drawing inspiration from the definition of the Veda i. e. 'Vidyate iti vedah'. He has demystified the secrets of Vedic musical tones by extending the usage of Vedic term 'Samvad' (consonance) while citing scientific explanation of 7 swar (note) and 12 sur (tone) in a saptak.\u003c\/p\u003e\n\u003cp\u003eIt is said that Indian music has descended from the Sam ved, but, except ban, veena, sapta dhatu, karkari, dundubhi, gargar, adambar, godha, aghati, vakur\/bakur, nali, tunav, vitanda and shankh, we don't come across any music related words of current times in the Vedas. In contrast, we apply essence of all the following terms of Vedic music, i. e. prastava, hinkara, udgitha, upa drava, nidhana, vikara, vishleshana, vikarshana, abhyasa, virama, stobha, udghat, roha, gati, prenkha, parva, namana, karshana, vinata, ati krama, atyut krama, pratyut krama and samprasarana, but never utter any of them in context of contemporary Indian music.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Crazyshelf.com","offers":[{"title":"Default Title","offer_id":49769313370410,"sku":"EXOTIC-9788119202478","price":25.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0693\/1218\/4618\/files\/VEDIC.png?v=1735279355"},{"product_id":"practical-guide-to-north-indian-classical-vocal-music","title":"Practical Guide to North Indian Classical Vocal Music","description":"\u003cp\u003e\u003cstrong\u003eDetails : \u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAuthor :  Indurama Srivastava\u003cbr\u003ePublisher ‏ : ‎ Munshirm Manoharlal Pub Pvt Ltd; 2008th edition (November 20, 2008)\u003cbr\u003eLanguage ‏ : ‎ English\u003cbr\u003eHardcover ‏ : ‎ 230 pages\u003cbr\u003eISBN-10 ‏ : ‎ 8121511755\u003cbr\u003eISBN-13 ‏ : ‎ 978-8121511759\u003cbr\u003eItem Weight ‏ : ‎ 450 g \u003cbr\u003eDimensions ‏ : ‎ 22 x 15 x 2 cm \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the book \u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\"Practical Guide to North Indian Classical Vocal Music\" by Indurama Srivastava is a comprehensive resource for learning Hindustani classical music. The book provides step-by-step guidance on vocal techniques, raga basics, and practical exercises. It's an invaluable tool for music students and enthusiasts seeking to deepen their understanding and skills in North Indian classical music.\u003c\/p\u003e","brand":"Munshirm Manoharlal Pub Pvt Ltd","offers":[{"title":"Default Title","offer_id":50154911334698,"sku":"VASY-8121511755","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0693\/1218\/4618\/files\/Capture_61d73f13-b541-41f1-9c8f-748ed025fc17.png?v=1745835425"},{"product_id":"classical-music-of-india-a-practical-guide","title":"Classical Music of India : A Practical Guide","description":"\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDETAILS : \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAuthor : Lakshminarayana Subramaniam and Viji Subramaniam\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003ePublisher ‏ : ‎ Tranquebar (30 October 2018)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eLanguage ‏ : ‎ English\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eHardcover ‏ : ‎ 150 pages\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eISBN-10 ‏ : ‎ 9387578887\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eISBN-13 ‏ : ‎ 978-9387578883\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eItem Weight ‏ : ‎ 650 g\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cb\u003eABOUT THE BOOK\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDr L. Subramaniam, India's violin icon, and the creator of the Global Fusion concept, has variously been called 'the Paganini of Indian classical music, 'the God of the Indian violin' and `Violin Chakravarthy. In a career spanning over six decades, he has produced, performed, conducted or collaborated on close to two hundred recordings.\u003c\/p\u003e\n\u003cp\u003eSubramaniam is the only musician who has performed\/ recorded Carnatic classical music, Western classical music, composed for and conducted major orchestras, scored for films and collaborated with some of the greatest musicians from different genres of music, including jazz, Western classical, jugalbandis (with north Indian musicians), world music and global fusion. He has established himself as a force that is strongly Indian, but universal in nature and approach.\u003c\/p\u003e\n\u003cp\u003eHe is the founder-director of the Lakshminarayana Global Music Festival, the biggest global music festival in India, as also of the Subramaniam Academy of Performing Arts (SaPa), a premier institute for musical education, and the Lakshminarayana Global Centre of Excellence (LGCE).\u003c\/p\u003e\n\u003cp\u003eHe has received several awards and honors, including the Padma Bhushan and the Sangeet Natak Akademi Award for 'The Most Creative Artist, and holds a PhD in music.\u003c\/p\u003e\n\u003cp\u003eViji Subramaniam, also known as Vijayashree Subramaniam (1952-95) was a singer, composer, author and multilinguist. As a vocalist, she won a number of prestigious awards, including the All India Radio 'President of India medal in 1972. She also received a Master's degree in music from the California Institute of the Arts.\u003c\/p\u003e\n\u003cp\u003eAfter marrying violinist L. Subramaniam in 1976, she collaborated with him on many of his projects, including his early fusion albums. She also sang for the soundtracks of two acclaimed films by Indian director Mira Nair: Salaam Bombay!\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cb\u003eABOUT THE AUTHOR\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDR L. SUBRAMANIAM is India's violin icon and the creator of the Global Fusion concept. He has recorded and collaborated with musicians across staggering! diverse genres. A force that is strongly Indian but universal in nature and approach, Subramaniam is the founder-director of the Lakshminarayana Global Music Festival, the Subramaniam Academy of Performing Arts (SaPa) and the Lakshminarayana Global Centre of Excellence (LGCE). 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She died in February 1995 after a long battle with cancer.\u003c\/p\u003e","brand":"Tranquebar Press","offers":[{"title":"Default Title","offer_id":50199587881258,"sku":"VASY-9387578887","price":32.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0693\/1218\/4618\/files\/naq443_140c1f31-2a3f-474b-b7d1-cab140dd9f4f.webp?v=1747310426"},{"product_id":"metric-pattern-cutting-for-menswear-techniques-and-applications","title":"Metric Pattern Cutting for Menswear : Techniques and Applications","description":"\u003cp\u003e\u003cstrong\u003eDetails : \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAuthor : Winifred Aldrich\u003cbr\u003ePublisher ‏ : ‎ Blackwell Pub; 5th edition \u003cbr\u003eLanguage ‏ : ‎ English\u003cbr\u003ePublication Date : 17 May 2011\u003cbr\u003eHardcover ‏ : ‎ 198 pages\u003cbr\u003eISBN-10 ‏ : ‎ 1405182938\u003cbr\u003eISBN-13 ‏ : ‎ 978-1405182935\u003cbr\u003eItem Weight ‏ : ‎ 700 g\u003cbr\u003eDimensions ‏ : ‎25 x 20 x 2 cm \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the book \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"Metric Pattern Cutting for Menswear\" by Winifred Aldrich is a comprehensive guide for fashion and design students, as well as practicing designers. Now in its fifth edition, this standard work covers essential topics like basic grading techniques, drafting blocks for individual figures, and computer-generated design and pattern making. The book features clear text and diagrams, making it an invaluable resource for understanding menswear pattern cutting. \u003c\/p\u003e","brand":"Wiley India","offers":[{"title":"Default Title","offer_id":50214352421162,"sku":"VASY-1405182938","price":67.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0693\/1218\/4618\/files\/61cOONbV_YL._SL1360.jpg?v=1747819402"},{"product_id":"rajasthans-silver-jewellery-a-living-legacy","title":"Rajasthans Silver Jewellery: A Living Legacy","description":"\u003cp\u003e\u003cstrong\u003eDetails : \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAuthor : Tripti Pandey\u003cbr\u003ePublisher ‏ : ‎ Rupa \u0026amp; Co; \u003cbr\u003ePublication date ; 4 May 2004\u003cbr\u003eLanguage ‏ : ‎ English\u003cbr\u003eHardcover ‏ : ‎ 64 pages\u003cbr\u003eISBN-10 ‏ : ‎ 8129100541\u003cbr\u003eISBN-13 ‏ : ‎ 9788129100542\u003cbr\u003eItem Weight ‏ : ‎ 450 g\u003cbr\u003eDimensions ‏ : ‎ 22 x 21 x 1.5 cm \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the book \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"Rajasthan's Silver Jewellery: A Living Legacy\" by Tripti Pandey is a book that showcases the rich tradition and craftsmanship of silver jewelry in Rajasthan. The book explores the intricate designs, cultural significance, and historical context of Rajasthani silver jewelry. Pandey's work highlights the artistry and skill of local artisans, preserving a living legacy. A treasure trove for jewelry enthusiasts and those interested in Rajasthani culture.\u003c\/p\u003e","brand":"Rupa \u0026 Co.","offers":[{"title":"Default Title","offer_id":50350275592490,"sku":"VASY-8129100541","price":26.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0693\/1218\/4618\/files\/81LOlwi1NfL._SL1500.jpg?v=1751348767"},{"product_id":"kishore-kumar-the-ultimate-biography-1","title":"Kishore Kumar: The Ultimate Biography","description":"\u003cp\u003e\u003cstrong\u003eDetails \u003c\/strong\u003e: \u003c\/p\u003e\n\u003cp\u003eAuthor : Anirudha Bhattacharjee , Parthiv Dhar\u003cbr\u003ePublisher ‏ : ‎ HarperCollins Publishers India\u003cbr\u003ePublication Date : 27 October 2022\u003cbr\u003eLanguage ‏ : ‎ English\u003cbr\u003ePaperback ‏ : ‎ 552 pages\u003cbr\u003eISBN ‏ : ‎ 9356291713 , 9789356291713\u003cbr\u003eItem Weight ‏ : ‎ 600 g\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the book \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis is the story of the voice of a generation, the legend - Kishore Kumar. Beginning with his time spent in Khandwa, Bhagalpur and Indore and going on to Bombay where Kishore moved to try his luck in cinema, this new biography by Parthiv Dhar and Anirudha Bhattacharjee tells it all. A product of over thirty years of research, it goes beyond Kishore''s nearly three thousand songs and his varied contributions to cinema, and reveals unknown facts about his four marriages, his run-ins with the government in the 1970s, and his health issues.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the Author \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAnirudha Bhattacharjee's first book R.D. Burman: The Man, the Music won the National Award for Best Book on Cinema. His second book, Gaata Rahe Mera Dil, was the winner of the inaugural MAMI Book Award for Excellence in Writing on Cinema. This is his fourth book. Anirudha is also an amateur musician and an alumnus of IIT Kharagpur. He lives in Kolkata.\u003c\/p\u003e\n\u003cp\u003eParthiv Dhar is a civil engineering graduate from VRCE Nagpur and employed with Indian Oil Corporation Ltd. Originally from Guwahati, he currently lives in Hyderabad with his family. When not listening to Kishore Kumar, he continues his research on Netaji Subhas Chandra Bose.\u003c\/p\u003e","brand":"HarperCollins India","offers":[{"title":"Default Title","offer_id":50468407771434,"sku":"VASY-9356291713","price":26.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0693\/1218\/4618\/files\/715ULFdKj2L._SL1500.jpg?v=1754543835"},{"product_id":"manipuri-dance-an-assessment-on-history-and-presentaton","title":"Manipuri Dance An assessment On History And Presentaton","description":"\u003cp\u003e\u003cstrong\u003eDETAILS : \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAuthor : Sruti Bandopadhay \u003cbr\u003ePublisher ‏ : ‎ Shubhi Publications \u003cbr\u003ePublication date :1 October 2010\u003cbr\u003eLanguage ‏ : ‎ English\u003cbr\u003eHardcover ‏ : ‎ 432 pages\u003cbr\u003eISBN-10 ‏ : ‎ 8182902088\u003cbr\u003eISBN-13 ‏ : ‎ 9788182902084\u003cbr\u003eItem Weight ‏ : ‎ 1750 g\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eABOUT THE BOOK \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn the rich tradition of the Indian Classical Dance, Manipuri Dance has a notable contribution. The book Manipuri Dance: an Assessment on History and Presentation is an in-depth study with roots deep into the anthropology, sociology and cultural milieu of the land of Manipur. It covers all the features, aspects and facets of Manipuri Dance and offers an exhaustive theoretical and practical view of the form. Songs, rhythmic patterns, hand gestures and feet movements are offered in particulars. The three main branches of Manipuri dance - the Laiharaoba, the Sainkirtana and the Rasalila has been dealt in details, while the contributions of different personalities in and outside Manipur have been put forward for ready references to the students, scholars, researchers and dance lovers of Indian Dance. An exclusive chapter on the role of the great poet Rabindranath Tagore to uphold Manipuri Dances has also adorned this book.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eINTRODUCTION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe love ordered me from the moment of my birth my parents remembered that I would move any rhythmical home and the joy palpable in my eyes indicated my feelings of affection, adoration and devotion to the eternal movement art. In India the school academics did not incorporate performing art subjects the then time so admission to a very high Standard English medium school in Kolkata, South Paint High School, did not really help me to pursue my interest field as a part of my routine study. I was admitted to Children Little Theatre (CLT), a renowned children's academy of performing art in Kolkata Stalwarts of dance and theatre field were associated with this institution and being nurtured under such personalities was my first wild grounding for presentation on stage. It was here that I came across the words Folk, Classical Kabindrantya etc. the dances I learnt I enjoyed and the names and kinds of dances made no impact at that age. My dance classes included Kathakali taught by Balakrishna Menon, Odini taught by Muralidhar Majhi Manipuri by Kalavati Devi and other regional and folk dances. The other classical dances like Kathak and Bharatanatyam was also on the repertoire and an exposure to these helped me to learn the distinctive features of different dances of India. The children's dance dramas were a great place to learn theatre acting and frequent stage appearances in variety nodes trained me up with proscenium concept and presentation.\u003c\/p\u003e\n\u003cp\u003eAs I grew up playing with almost all the dance forms, I started developing a fond inclination towards Manipuri The padavali songs accompanying this dance, the sweetness of the syllables used the intricacies of the rhythmic patterns and above all the subtle nuances of this dance form, where the whole body comes into play with a pose of gestures suited perfectly with my mental settings. I started learning Manipuri seriously under Kalavati Devi, who groomed my body for Manipuri dance from that early age I passed out of school and thus out of CLT My innate wish to take up dance as a subject in undergraduate level could not stand up to my parents expectations So I took admission in Science subjects for college academics with Physics as my honors subject. But my training in Manipuri pursued now under Guru Bipin Singh in Manipuri Nartanalaya, Kolkata I came across the tutelage of the Jhaveri Sisters particularly Darshana Jhaveri whose affectionate teaching of this form has immensely enhanced my understanding of this dance form.\u003c\/p\u003e\n\u003cp\u003eGuru Bipin Singh inspired and encouraged me to explore myself of the possibility to become a front ranking performer of this dance form It was quite a challenge because at no point did I ever dream of becoming a professional dance artist Moreover with a family background that would prefer a run of the mill career option, the idea to diverge myself into performing art occupation did leave me baffled for some time But the untiring practice that I was put into at IMA Bipin Pal Road Le Guruji's residence and the office of Manipuri Nartanalaya, made me not realize how the time passed by and within a few years I found myself performing in almost all the leading festivals in India and abroad Guru Bipin Singh's efforts to establish Manipur Dance as a solo repertoire for the stage gained quite a mileage and I was very fortunate to be one of his primary disciples in this direction of experimentation and innovation.\u003c\/p\u003e","brand":"Shubhi Publications","offers":[{"title":"Default Title","offer_id":50573098025258,"sku":"VASY-8182902088","price":76.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0693\/1218\/4618\/files\/hai971_54621bc5-9e2c-4a6a-896f-f22324ad2957.webp?v=1757053460"},{"product_id":"rasa-performing-the-divine-in-india","title":"Rasa (Performing The Divine in India)","description":"\u003cp\u003e\u003cstrong\u003eDETAILS : \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAuthor : Susan L. Schwartz\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003ePublisher ‏ : ‎ Motilal Banarsidass Publishing House\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003ePublication date ‏ : ‎ January 1, 2024\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eHaedcover ‏ : ‎ 136 pages\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eISBN-10 ‏ : ‎ 9359718890\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eISBN-13 ‏ : ‎ 9789359718897\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eItem Weight ‏ : ‎ 350 g \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eABOUT THE BOOK \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"Rasa: Performing the Divine in India\" by Susan L. Schwartz explores the concept of rasa in Indian performing arts, highlighting its significance in drama, dance and music. Rasa refers to the aesthetic experience or emotional essence conveyed through these art forms. The book delves into the relationship between arts and religion in India, examining how rasa is applied in various performance traditions. With its rich cultural insights, this book is ideal for those interested in Indian arts, philosophy and spirituality. It's part of a trilogy that includes \"Darsan: Seeing the Divine\" and \"Mantra: Hearing the Divine\". Published in 2004\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBACK OF THE BOOK \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhile many people outside India find the images, sounds, and practices of Indian performing arts compelling and endeavor to incorporate them into the “global” repertoire, few are aware of the central role of religious belief and practice in Indian aesthetics. Completing the trilogy that includes Darsan: Seeing the Divine in India and Mantra: Hearing the Divine in India and America, this volume focuses on how rasa has been applied in a range of Indian performance traditions.\u003c\/p\u003e\n\u003cp\u003e“Rasa” is taste, essence, flavor. How is it possible that a word used to describe a delicious masala can also be used to critique a Bharata natyam performance? Rasa expresses the primary goals of performing arts in Indian in all the major literary, philosophical, and aesthetic texts, and it provides the cornerstone of the oral traditions of transmission. It is also essential to the study and production of sculpture, architecture, and painting. Yet its primary referent is cuisine. This book articulates the religious sensibility underlying the traditional performing arts as well as other applications of rasa and examines the relationships between the arts and religion in India today.\u003c\/p\u003e\n\u003cp\u003e“Rasa’ signifies flavor, taste, and shared aesthetic experience. In this short but far-ranging, thoughtful, and provocative book, Susan Schwartz explores how dancers, actors, musicians, sages, and philosophers have thought about and used rasa over the centuries. She wonders what rasa’s new possibilities might be for the Indian diaspora of the twenty-first century.”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eABOUT THE AUTHOR \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSusan L. Schwartz is associate professor of religion and director of the Interdisciplinary Program in Asian Traditions at Muhlenberg College. She is the coauthor of The Religions of Star Trek.\u003c\/p\u003e","brand":"Motilal Banarsidass Publishing House","offers":[{"title":"Default Title","offer_id":50653654188330,"sku":"VASY-9359718890","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0693\/1218\/4618\/files\/naf075.webp?v=1759464400"},{"product_id":"bharatanatyam-how-to-a-step-by-step-approach-to-learn-the-classical-dance-form","title":"Bharatanatyam: How To…: A Step-by Step Approach To Learn The Classical Dance Form","description":"\u003ch2 data-section-id=\"1rbedo7\" dir=\"auto\" data-start=\"119\" data-end=\"140\" class=\"PDq2pG_selectionAnchorContainer\"\u003e📦 Product Details\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cul data-start=\"141\" data-end=\"513\"\u003e\n\u003cli data-section-id=\"oeg9qf\" data-start=\"141\" data-end=\"239\"\u003e\n\u003cstrong data-start=\"242\" data-end=\"253\"\u003eAuthor:\u003c\/strong\u003e Jayalakshmi Eshwar\u003c\/li\u003e\n\u003cli data-section-id=\"z0ebkd\" data-start=\"273\" data-end=\"300\"\u003e\n\u003cstrong data-start=\"275\" data-end=\"289\"\u003ePublisher:\u003c\/strong\u003e BR Rhythms\u003c\/li\u003e\n\u003cli data-section-id=\"xbirb3\" data-start=\"301\" data-end=\"340\"\u003e\n\u003cstrong data-start=\"303\" data-end=\"324\"\u003ePublication Date:\u003c\/strong\u003e January 1, 2011\u003c\/li\u003e\n\u003cli data-section-id=\"v3fv5e\" data-start=\"341\" data-end=\"364\"\u003e\n\u003cstrong data-start=\"343\" data-end=\"356\"\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli data-section-id=\"xdze5f\" data-start=\"365\" data-end=\"388\"\u003e\n\u003cstrong data-start=\"367\" data-end=\"378\"\u003eFormat:\u003c\/strong\u003e Hardcover\u003c\/li\u003e\n\u003cli data-section-id=\"cu63om\" data-start=\"389\" data-end=\"418\"\u003e\n\u003cstrong data-start=\"391\" data-end=\"408\"\u003ePrint Length:\u003c\/strong\u003e 458 pages\u003c\/li\u003e\n\u003cli data-section-id=\"k3nmq5\" data-start=\"419\" data-end=\"457\"\u003e\n\u003cstrong data-start=\"421\" data-end=\"433\"\u003eISBN-10:\u003c\/strong\u003e 8188827142\u003c\/li\u003e\n\u003cli data-section-id=\"1ajzkja\" data-start=\"458\" data-end=\"487\"\u003e\n\u003cstrong data-start=\"460\" data-end=\"472\"\u003eISBN-13:\u003c\/strong\u003e 978-8176462358\u003c\/li\u003e\n\u003cli data-section-id=\"ebcug2\" data-start=\"488\" data-end=\"513\"\u003e\n\u003cstrong data-start=\"490\" data-end=\"506\"\u003eItem Weight:\u003c\/strong\u003e 2000 g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 data-section-id=\"1tg4d5f\" dir=\"auto\" data-start=\"515\" data-end=\"535\"\u003e📖 About the Book\u003c\/h2\u003e\n\u003cp dir=\"auto\" data-start=\"536\" data-end=\"687\"\u003e\u003cstrong data-start=\"536\" data-end=\"562\"\u003eBharatanatyam: How To…\u003c\/strong\u003e presents a structured, step-by-step approach to learning \u003cstrong data-start=\"620\" data-end=\"637\"\u003eBharatanatyam\u003c\/strong\u003e, one of India's major classical dance traditions.\u003c\/p\u003e\n\u003cp dir=\"auto\" data-start=\"689\" data-end=\"983\"\u003eThe book is designed to help learners understand the fundamentals of the dance form through systematic instruction. It covers important aspects of Bharatanatyam practice, including \u003cstrong data-start=\"870\" data-end=\"982\"\u003ebasic movements, dance techniques, postures, gestures, rhythm, expressions, and performance-related elements\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp dir=\"auto\" data-start=\"985\" data-end=\"1205\"\u003eWith its detailed presentation and substantial \u003cstrong data-start=\"1032\" data-end=\"1044\"\u003e458-page\u003c\/strong\u003e format, the book can serve as a valuable reference for students, teachers, and enthusiasts seeking to develop their understanding and practice of Bharatanatyam.\u003c\/p\u003e\n\u003ch2 data-section-id=\"bcfgqn\" dir=\"auto\" data-start=\"1207\" data-end=\"1233\"\u003e💃 What the Book Covers\u003c\/h2\u003e\n\u003cul data-start=\"1234\" data-end=\"1465\"\u003e\n\u003cli data-section-id=\"15fgl8j\" data-start=\"1234\" data-end=\"1272\"\u003eFundamental Bharatanatyam techniques\u003c\/li\u003e\n\u003cli data-section-id=\"rz1k41\" data-start=\"1273\" data-end=\"1305\"\u003eStep-by-step learning approach\u003c\/li\u003e\n\u003cli data-section-id=\"pcqll9\" data-start=\"1306\" data-end=\"1342\"\u003eBasic dance movements and postures\u003c\/li\u003e\n\u003cli data-section-id=\"1a2be6t\" data-start=\"1343\" data-end=\"1374\"\u003eHand gestures and expressions\u003c\/li\u003e\n\u003cli data-section-id=\"11inmfy\" data-start=\"1375\" data-end=\"1400\"\u003eRhythm and coordination\u003c\/li\u003e\n\u003cli data-section-id=\"1our2e\" data-start=\"1401\" data-end=\"1429\"\u003eClassical dance vocabulary\u003c\/li\u003e\n\u003cli data-section-id=\"1etlgwm\" data-start=\"1430\" data-end=\"1465\"\u003ePractice and performance guidance\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 data-section-id=\"1xj3hst\" dir=\"auto\" data-start=\"1467\" data-end=\"1489\"\u003e👤 About the Author\u003c\/h2\u003e\n\u003cp dir=\"auto\" data-start=\"1490\" data-end=\"1750\"\u003e\u003cstrong data-start=\"1490\" data-end=\"1512\"\u003eJayalakshmi Eshwar\u003c\/strong\u003e is a Bharatanatyam practitioner, teacher, and author associated with the teaching and promotion of Indian classical dance. Her work focuses on presenting Bharatanatyam in a systematic and accessible manner for learners and practitioners.\u003c\/p\u003e","brand":"BR Rhythms","offers":[{"title":"Default Title","offer_id":50855703773482,"sku":"VASY-8188827142","price":63.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0693\/1218\/4618\/files\/51sXqa2OK4L.jpg?v=1763635773"},{"product_id":"indian-classical-dance-the-renaissance-and-beyond-1","title":"Indian Classical Dance: The Renaissance and Beyond","description":"\u003cp\u003e\u003cstrong\u003eDETAILS : \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePublisher ‏ : ‎ Niyogi Books\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eAuthor : Leela Venkataraman\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003ePublication date ‏ : ‎ June 11, 2015\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eEdition ‏ : ‎ 2015th\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eLanguage ‏ : ‎ English\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eHardcover ‏ : ‎ 336 pages\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eISBN-10 : 9383098643\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eISBN-13 ‏ : ‎ 978-9383098644\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eItem Weight ‏ : ‎2100 g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eABOUT THE BOOK \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIndian Classical Dance: The Renaissance and Beyond traces the journey of the evolution of Indian classical dance since the years of Independence. Covering the eight classical dance forms of India – Bharatanatyam, Kathak, Kuchipudi, Kathakali, Manipuri, Mohiniattam, Odissi and Sattriya – Leela Venkataraman seamlessly weaves together a historical perspective with the contemporary scenario.Stripped of their association with the temple and the court, classical dance traditions in India went through a period of unprecedented change in the period marking the last few years of British rule and thereafter. From becoming part of the nationalist struggle when India was trying to rediscover its lost identity, to sharing the international stage today with dance forms from all over the world, the last sixty-six years have seen many changes in perspective and presentation of Indian Classical Dance - some intentional, others involuntary. While looking at these years closely and their impact on dance forms, one realises that this is a phase in an ongoing process, with each new generation of dancers and musicians adding to an already rich tapestry of tradition. The book is beautifully illustrated and multi-faceted, dealing with various aspects of dance, including sponsorship and patronage, the teacher\/disciple relationship and the contemporary classical dialectic. Unique in its vast range of covering all the classical forms, Indian Classical Dance is a must read for dancers and dance historians, students and teachers of dance and those interested in this fascinating field of Indian culture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eABOUT THE AUTHOR \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLeela Venkataraman is one of India’s most respected dance critics and scholars, with decades of experience writing on classical dance traditions. Her reviews and essays have appeared in major national publications, making her a prominent voice in the cultural landscape. She is known for her deep understanding of dance history, aesthetics, and performance practices. Leela has authored several authoritative books that document India’s artistic heritage with clarity and passion. Her work continues to inspire dancers, researchers, and readers worldwide.\u003c\/span\u003e\u003c\/p\u003e","brand":"Niyogi Books","offers":[{"title":"Default Title","offer_id":50942776541482,"sku":"VASY-9383098643","price":69.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0693\/1218\/4618\/files\/61qj2-nm6QL._SL1500.jpg?v=1765534985"},{"product_id":"sufi-music-through-the-eye-of-ustad-nusrat-fateh-ali-khan","title":"Sufi Music through the eye of Ustad Nusrat Fateh Ali Khan","description":"\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDETAILS : \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAuthor : Jagriti Luthra Prasanna\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003ePublisher ‏ : ‎ B.R. 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The book analyzes his unique ability to blend the classical rigors of the \u003ci data-path-to-node=\"1\" data-index-in-node=\"408\"\u003ePatiala Gharana\u003c\/i\u003e with the improvisational soul of Sufi mysticism. 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It provides useful context for understanding the artistic and cultural concepts that have shaped classical Indian theatre and dance.\u003c\/p\u003e\n\u003cp dir=\"auto\" data-start=\"948\" data-end=\"1134\"\u003eThis concise work is particularly useful for students, performers, researchers, and readers interested in \u003cstrong data-start=\"1054\" data-end=\"1133\"\u003eIndian classical dance, theatre, Sanskrit literature, and Indian aesthetics\u003c\/strong\u003e.\u003c\/p\u003e\n\u003ch2 data-section-id=\"mxlzdy\" dir=\"auto\" data-start=\"1136\" data-end=\"1158\"\u003e✍️ About the Author\u003c\/h2\u003e\n\u003cp dir=\"auto\" data-start=\"1160\" data-end=\"1417\"\u003e\u003cstrong data-start=\"1160\" data-end=\"1180\"\u003eAdya Rangacharya\u003c\/strong\u003e was an Indian writer, scholar, playwright, and theatre personality known for his work on Indian theatre and classical performing arts. His writings helped make important aspects of Indian dramatic tradition accessible to modern readers.\u003c\/p\u003e","brand":"Munshiram Manoharlal Publishers Pvt Ltd","offers":[{"title":"Default Title","offer_id":51295068029226,"sku":"VASY-8121508290","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0693\/1218\/4618\/files\/41OkiaMCTBL.jpg?v=1791358222"},{"product_id":"the-ritual-art-of-teyyan-and-butaradhane","title":"The Ritual Art of Teyyan and Butaradhane","description":"\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDETAILS : \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAuthor : Sita K. Nambar\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003ePublisher ‏ : ‎ Motilal Banarsidass Publications\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003ePublication date ‏ : ‎ 1 October 2002\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eLanguage ‏ : ‎ English\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eHardcover ‏ : ‎ 144 pages\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eISBN-10 ‏ : ‎ 8170131499\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eISBN-13 ‏ : ‎ 978-8170131496\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eItem Weight ‏ : ‎ 1 kg\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eABOUT THE BOOK\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"1\" data-index-in-node=\"0\" class=\"\"\u003eThe Ritual Art of Teyyam and Bhutaradhane\u003c\/b\u003e\u003cspan class=\"\"\u003e is a scholarly and visually rich exploration of two of South India's most powerful \"ritual theatres.\u003c\/span\u003e\u003cspan class=\"\"\u003e\" Published under the aegis of the \u003c\/span\u003e\u003cb data-path-to-node=\"1\" data-index-in-node=\"177\" class=\"\"\u003eIndira Gandhi National Centre for the Arts (IGNCA)\u003c\/b\u003e\u003cspan class=\"\"\u003e,\u003c\/span\u003e\u003cspan class=\"\"\u003e the book bridges the gap between folklore and metaphysical philosophy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"2\"\u003e\u003cspan class=\"\"\u003eThe text focuses on:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"3,0,0\"\u003e\n\u003cb data-path-to-node=\"3,0,0\" data-index-in-node=\"0\" class=\"\"\u003eSpirit Mediumship:\u003c\/b\u003e\u003cspan class=\"\"\u003e It provides a deep dive into how performers in North Kerala (\u003c\/span\u003e\u003cb data-path-to-node=\"3,0,0\" data-index-in-node=\"80\" class=\"\"\u003eTeyyam\u003c\/b\u003e\u003cspan class=\"\"\u003e) and South Karnataka (\u003c\/span\u003e\u003cb data-path-to-node=\"3,0,0\" data-index-in-node=\"109\" class=\"\"\u003eBhutaradhane\u003c\/b\u003e\u003cspan class=\"\"\u003e) undergo a total transformation—transcending their human identity to become vessels for deities,\u003c\/span\u003e\u003cspan class=\"\"\u003e ancestral spirits,\u003c\/span\u003e\u003cspan class=\"\"\u003e and heroes.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-path-to-node=\"3,1,0\"\u003e\n\u003cb data-path-to-node=\"3,1,0\" data-index-in-node=\"0\" class=\"\"\u003eArtistic Synthesis:\u003c\/b\u003e\u003cspan class=\"\"\u003e The book documents the multi-media nature of these rituals,\u003c\/span\u003e\u003cspan class=\"\"\u003e covering the creation of massive,\u003c\/span\u003e\u003cspan class=\"\"\u003e intricate headgears (\u003c\/span\u003e\u003ci data-path-to-node=\"3,1,0\" data-index-in-node=\"135\" class=\"\"\u003eMudi\u003c\/i\u003e\u003cspan class=\"\"\u003e),\u003c\/span\u003e\u003cspan class=\"\"\u003e the symbolic use of facial colors (natural pigments like turmeric and charcoal),\u003c\/span\u003e\u003cspan class=\"\"\u003e and the specific rhythms of the drums.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-path-to-node=\"3,2,0\"\u003e\n\u003cb data-path-to-node=\"3,2,0\" data-index-in-node=\"0\" class=\"\"\u003eSocio-Cultural Context:\u003c\/b\u003e\u003cspan class=\"\"\u003e It examines how these performances allow marginalized communities to assume roles of divine authority,\u003c\/span\u003e\u003cspan class=\"\"\u003e often using the ritual space to comment on or resolve social inequities and village grievances.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-path-to-node=\"3,3,0\"\u003e\n\u003cb data-path-to-node=\"3,3,0\" data-index-in-node=\"0\" class=\"\"\u003eTextual Links:\u003c\/b\u003e\u003cspan class=\"\"\u003e As a Sanskrit scholar,\u003c\/span\u003e\u003cspan class=\"\"\u003e the author uniquely relates these \"Little Traditions\" to the \"Great Tradition\" of Indian \u003c\/span\u003e\u003ci data-path-to-node=\"3,3,0\" data-index-in-node=\"127\" class=\"\"\u003eSastras\u003c\/i\u003e\u003cspan class=\"\"\u003e,\u003c\/span\u003e\u003cspan class=\"\"\u003e finding parallels between folk practices and classical Indian aesthetics.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e\u003cspan class=\"\"\u003eABOUT THE AUTHOR\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\" id=\"p-rc_22c2c3c4371aa4a1-23\"\u003e\u003cb data-path-to-node=\"5\" data-index-in-node=\"0\"\u003eDr. Sita K. \u003cspan class=\"citation-9\"\u003eNambiar\u003c\/span\u003e\u003c\/b\u003e\u003cspan class=\"citation-9 citation-end-9\"\u003e was a distinguished scholar of Sanskrit and Indian philosophy.\u003csup class=\"superscript\" data-turn-source-index=\"5\"\u003e\u003c!----\u003e\u003c\/sup\u003e\u003c\/span\u003e \u003cspan class=\"citation-8 citation-end-8\"\u003eShe held a deep interest in the intersection of classical texts and living folk traditions.\u003csup class=\"superscript\" data-turn-source-index=\"6\"\u003e\u003c!----\u003e\u003c\/sup\u003e\u003c\/span\u003e \u003cspan class=\"citation-7\"\u003eBeyond this work, she is well known for her translation and commentary on the \u003c\/span\u003e\u003cb data-path-to-node=\"5\" data-index-in-node=\"253\"\u003e\u003ci data-path-to-node=\"5\" data-index-in-node=\"253\"\u003e\u003cspan class=\"citation-7\"\u003ePrabodhacandrodaya\u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan class=\"citation-7\"\u003e (an allegorical Sanskrit play) and her work on the \u003c\/span\u003e\u003ci data-path-to-node=\"5\" data-index-in-node=\"323\"\u003e\u003cspan class=\"citation-7\"\u003eSvanubhuti\u003c\/span\u003e\u003c\/i\u003e\u003cspan class=\"citation-7 citation-end-7\"\u003e of Appayya Dikshita.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003e\u003cspan class=\"citation-7 citation-end-7\"\u003e\u003csup class=\"superscript\" data-turn-source-index=\"7\"\u003e\u003c!----\u003e\u003c\/sup\u003e\u003c\/span\u003eDr. Nambiar was recognized for her ability to decode the complex symbology of Indian rituals without stripping them of their spiritual soul. Her collaboration with the IGNCA and other cultural institutions helped bring academic legitimacy and preservation to the \"fragile\" oral and ritualistic traditions of the Malabar and Tulunadu regions.\u003cbutton class=\"button multiple-button ng-star-inserted\" aria-label=\"View source details for citations from Readers End, Exotic India Art, and Exotic India Art. Opens side panel.\"\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c\/button\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"\"\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Motilal Banarsidass Publishing House","offers":[{"title":"Default Title","offer_id":51437009895722,"sku":"VASY-8170131499","price":45.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0693\/1218\/4618\/files\/41PMU2h7QGL.jpg?v=1776426364"},{"product_id":"nandikeshvaras-abhinayadarpanam-a-manual-of-gesture-and-posture-used-in-hindu-dance-and-drama","title":"Nandikeshvara's Abhinayadarpanam : A Manual Of Gesture And Posture Used In Hindu Dance And Drama","description":"\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDETAILS : \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAuthor : Manomohan Ghosh\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003ePublisher ‏ : ‎ Jyoti Enterprises\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003ePublication date ‏ : ‎ 1 January 2021\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eLanguage ‏ : ‎ English\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003ePaperback ‏ : ‎ 162 pages\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eISBN-10 ‏ : ‎ 8189580477\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eISBN-13 ‏ : ‎ 978-8189580476\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eItem Weight ‏ : ‎ 250 g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eABOUT THE BOOK\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"1\" data-index-in-node=\"0\"\u003eNandikeshvara's Abhinayadarpanam\u003c\/b\u003e (The Mirror of Gesture) is the quintessential manual for Indian classical dance and drama. Translated and edited by the renowned scholar \u003cb data-path-to-node=\"1\" data-index-in-node=\"170\"\u003eManomohan Ghosh\u003c\/b\u003e, this book is an authoritative English version of the ancient Sanskrit text that defines the grammar of Indian aesthetics.\u003c\/p\u003e\n\u003cp data-path-to-node=\"2\"\u003eThe book is an essential resource for students of \u003cb data-path-to-node=\"2\" data-index-in-node=\"50\"\u003eBharatanatyam, Kuchipudi, and Odissi\u003c\/b\u003e, covering:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"3,0,0\"\u003e\n\u003cb data-path-to-node=\"3,0,0\" data-index-in-node=\"0\"\u003eThe Language of Hands (Mudras):\u003c\/b\u003e Detailed descriptions of \u003ci data-path-to-node=\"3,0,0\" data-index-in-node=\"57\"\u003eAsamyuta\u003c\/i\u003e (single-hand) and \u003ci data-path-to-node=\"3,0,0\" data-index-in-node=\"84\"\u003eSamyuta\u003c\/i\u003e (combined-hand) gestures and their meanings.\u003c\/li\u003e\n\u003cli data-path-to-node=\"3,1,0\"\u003e\n\u003cb data-path-to-node=\"3,1,0\" data-index-in-node=\"0\"\u003eBody Movements:\u003c\/b\u003e Insights into head movements (\u003ci data-path-to-node=\"3,1,0\" data-index-in-node=\"46\"\u003eShiro Bheda\u003c\/i\u003e), eye glances (\u003ci data-path-to-node=\"3,1,0\" data-index-in-node=\"73\"\u003eDrishti Bheda\u003c\/i\u003e), and neck movements (\u003ci data-path-to-node=\"3,1,0\" data-index-in-node=\"109\"\u003eGriva Bheda\u003c\/i\u003e).\u003c\/li\u003e\n\u003cli data-path-to-node=\"3,2,0\"\u003e\n\u003cb data-path-to-node=\"3,2,0\" data-index-in-node=\"0\"\u003ePosture and Footwork:\u003c\/b\u003e Guidelines on the various \u003ci data-path-to-node=\"3,2,0\" data-index-in-node=\"48\"\u003eMandala\u003c\/i\u003e (standing postures) and \u003ci data-path-to-node=\"3,2,0\" data-index-in-node=\"80\"\u003eUtplavana\u003c\/i\u003e (leaps\/jumps) used in performance.\u003c\/li\u003e\n\u003cli data-path-to-node=\"3,3,0\"\u003e\n\u003cb data-path-to-node=\"3,3,0\" data-index-in-node=\"0\"\u003eThe Philosophy of Expression:\u003c\/b\u003e How a performer should use their entire body to convey \u003ci data-path-to-node=\"3,3,0\" data-index-in-node=\"85\"\u003eBhava\u003c\/i\u003e (emotion) and evoke \u003ci data-path-to-node=\"3,3,0\" data-index-in-node=\"111\"\u003eRasa\u003c\/i\u003e (sentiment) in the audience.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eABOUT THE AUTHOR\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003e\u003cb data-path-to-node=\"6\" data-index-in-node=\"0\"\u003eDr. Manomohan Ghosh\u003c\/b\u003e was a distinguished scholar of Sanskrit and Bengali, known for his monumental contributions to the study of ancient Indian drama and linguistics. He is most famous for his pioneering work in translating the \u003ci data-path-to-node=\"6\" data-index-in-node=\"227\"\u003eNatya Shastra\u003c\/i\u003e (the foundation of Indian performing arts), and his work on \u003cb data-path-to-node=\"6\" data-index-in-node=\"301\"\u003eAbhinayadarpanam\u003c\/b\u003e is considered the academic benchmark.\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003eGhosh’s work is characterized by:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-path-to-node=\"8,0,0\"\u003e\n\u003cb data-path-to-node=\"8,0,0\" data-index-in-node=\"0\"\u003eMeticulous Translation:\u003c\/b\u003e He bridged the gap between archaic Sanskrit technical terms and modern English, making the text accessible to global performers.\u003c\/li\u003e\n\u003cli data-path-to-node=\"8,0,0\"\u003e\n\u003cb data-path-to-node=\"8,1,0\" data-index-in-node=\"0\"\u003eHistorical Accuracy:\u003c\/b\u003e His commentaries provide historical context, helping readers understand how these gestures evolved from ancient temple rituals to the modern stage.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Jyoti Enterprises","offers":[{"title":"Default Title","offer_id":51461107548458,"sku":"VASY-8189580477","price":30.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0693\/1218\/4618\/files\/712aE_LgAfL._SL1200.jpg?v=1777021231"},{"product_id":"compositions-of-the-great-tabla-maestros","title":"Compositions of The Great Tabla Maestros","description":"\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDETAILS : \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAuthor: S.R. Chishti \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003ePublisher: ‎ ‎ Kanishka Publishers Distributors\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003ePublication date: ‎ 1 January 2016\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eLanguage: ‎ English\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eISBN-10: ‎ 8184576951\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eISBN-13: ‎ 978-8184576955\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eItem Weight: ‎ 400 g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eABOUT THE BOOK\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"1\" data-index-in-node=\"0\"\u003eCompositions of The Great Tabla Maestros: Splendid and Rare Collection of the Compositions of Tabla Legends of Various Gharanas\u003c\/b\u003e, authored by the distinguished musicologist Dr. S.R. Chishti, is an essential scholarly and practical compendium dedicated to the preservation of Indian classical percussion. Published by \u003cb data-path-to-node=\"1\" data-index-in-node=\"316\"\u003eKanishka Publishers\u003c\/b\u003e, this book serves as an invaluable archive for students, researchers, and professional percussionists. The fundamental philosophy of this text is to systematically document the diverse oral traditions of \u003ci data-path-to-node=\"1\" data-index-in-node=\"540\"\u003eTabla Vadan\u003c\/i\u003e (Tabla playing), providing structured notation for rare historical rhythmic patterns (\u003ci data-path-to-node=\"1\" data-index-in-node=\"638\"\u003eBandishes\u003c\/i\u003e) that have traditionally been passed down strictly through the \u003ci data-path-to-node=\"1\" data-index-in-node=\"711\"\u003eGuru-Shishya parampara\u003c\/i\u003e (teacher-disciple lineage).\u003c\/p\u003e\n\u003cp data-path-to-node=\"2\"\u003eThe book is thoroughly organized into eight comprehensive chapters. The introductory chapter outlines the historical evolution and structural development of the major \u003ci data-path-to-node=\"2\" data-index-in-node=\"167\"\u003eGharanas\u003c\/i\u003e (schools of percussion). The following six chapters provide a meticulous, technical breakdown of the six primary regional stylistic schools or \u003ci data-path-to-node=\"2\" data-index-in-node=\"319\"\u003ebaaj(s)\u003c\/i\u003e: Delhi, Ajrada, Lucknow, Farrukhabad, Benares, and Punjab. Across these chapters, Dr. Chishti provides precise structural characterizations and notation for approximately 256 traditional compositions, spanning foundational \u003ci data-path-to-node=\"2\" data-index-in-node=\"550\"\u003eKaydas\u003c\/i\u003e, complex \u003ci data-path-to-node=\"2\" data-index-in-node=\"566\"\u003eRelas\u003c\/i\u003e, \u003ci data-path-to-node=\"2\" data-index-in-node=\"573\"\u003eGats\u003c\/i\u003e, and \u003ci data-path-to-node=\"2\" data-index-in-node=\"583\"\u003eTukdas\u003c\/i\u003e. The final chapters break unique ground by evaluating the historical contributions of Hazrat Amir Khusro to Indian rhythmic structures, explaining the evolution of early \u003ci data-path-to-node=\"2\" data-index-in-node=\"760\"\u003eTaal\u003c\/i\u003e frameworks and concluding with an analytical overview of how this classical art form transitioned into contemporary academic curricula.\u003c\/p\u003e\n\u003cp data-path-to-node=\"2\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eABOUT THE AUTHOR \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003eDr. S.R. Chishti is a highly respected Indian academician, author, and senior musicologist specializing in Hindustani classical percussion. He has dedicated his career to creating comprehensive, bilingual instructional literature that bridges ancient performance practices with modern university-level music education.\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003eDr. Chishti's research and writing methodology is deeply objective, analytical, and texturally precise. Rather than presenting abstract rhythmic theory, he focuses on compiling concrete notation systems that retain the accurate phrasing and accentuation intended by the original masters. His extensively sought-after bibliography—which includes authoritative works such as \u003ci data-path-to-node=\"6\" data-index-in-node=\"373\"\u003eUnique Tabla Gats\u003c\/i\u003e, \u003ci data-path-to-node=\"6\" data-index-in-node=\"392\"\u003eTabla Sanchayan\u003c\/i\u003e, and \u003ci data-path-to-node=\"6\" data-index-in-node=\"413\"\u003eVarious Forms of Theke in Indian Talas\u003c\/i\u003e—establishes him as a leading modern archivist of North Indian percussion traditions.\u003c\/p\u003e","brand":"Kanishka Publishers Distributors","offers":[{"title":"Default Title","offer_id":51700482507050,"sku":"VASY-8184576951","price":28.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0693\/1218\/4618\/files\/51K1CNhq3eL.jpg?v=1781263808"},{"product_id":"lata-mangeshkar-in-her-own-voice","title":"Lata Mangeshkar... in her own voice","description":"\u003ch2\u003e📦 Product Details\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eAuthor:\u003c\/strong\u003e Nasreen Munni Kabir\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e Niyogi Books\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e 6 December 2019\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBinding:\u003c\/strong\u003e Paperback\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePrint Length:\u003c\/strong\u003e 268 pages\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISBN-10:\u003c\/strong\u003e 9389136318\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISBN-13:\u003c\/strong\u003e 9789389136319\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eItem Weight:\u003c\/strong\u003e 550 g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e📖 About the Book\u003c\/h2\u003e\n\u003cp\u003e\u003cem\u003eLata Mangeshkar... in her own voice\u003c\/em\u003e offers an intimate and engaging look at the life, career, music, and experiences of one of India's most celebrated playback singers.\u003c\/p\u003e\n\u003cp\u003ePresented through conversations and personal reflections, the book gives readers insights into her remarkable musical journey, her experiences in the Hindi film industry, her thoughts on music, and the people and events that shaped her career.\u003c\/p\u003e\n\u003cp\u003eWritten by journalist and author \u003cstrong\u003eNasreen Munni Kabir\u003c\/strong\u003e, the book is especially appealing to readers interested in \u003cstrong\u003eIndian cinema, Hindi film music, biographies, cultural history, and the life of legendary artists\u003c\/strong\u003e.\u003c\/p\u003e\n\u003ch2\u003e✍️ About the Author\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eNasreen Munni Kabir\u003c\/strong\u003e is an author, filmmaker, and journalist known for her extensive work on \u003cstrong\u003eIndian cinema and popular culture\u003c\/strong\u003e. She has written and produced numerous works exploring Hindi films, music, and the lives of prominent personalities from the Indian entertainment industry.\u003c\/p\u003e\n\u003cp\u003eHer interview-based approach brings personal perspectives and conversations to readers, making her books valuable resources for anyone interested in Indian cinema and its cultural history.\u003c\/p\u003e","brand":"Niyogi Books","offers":[{"title":"Default Title","offer_id":52489190474026,"sku":"VASY-9389136318","price":37.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0693\/1218\/4618\/files\/71V1ZGzpQPL._SL1400.jpg?v=1788591623"}],"url":"https:\/\/crazyshelf.com\/collections\/performing-art.oembed?page=2","provider":"Crazyshelf.com","version":"1.0","type":"link"}